PAUL GRIFFITH'S BRILLIANT Let Me Tell You got me thinking about Ophelia as a Young Adult Novel theme, and it turns out that attempts have already been made. I sampled these two--Klein's novel is from 2006, French's from 2015.
French and Klein had several of the same ideas about how to make Ophelia's story YA-friendly. First person narration, for one thing. More crucially, no madness and no drowning/suicide. Ophelia only pretends to be insane in both novels, then fakes her own drowning, to enable her escape from the infected snakebite that is Elsinore.
Gertrude is fascinating and enigmatic in both--we are for a while kept guessing at how much she knows about Claudius and how sincere her interest in Ophelia's well-being is. Hamlet is likewise fascinating and enigmatic, and his and Ophelia's love is key to both plots, but in both novels he is revealed to be Mr. Seems-Right-but-Not-Quite, a Frank Churchill/Henry Crawford/William Elliott figure, too wrapped up in his obsession with avenging his father to sustain his relationship with Ophelia (in Klein, they are even secretly married, à la Romeo and Juliet).
The true Mr. Right turns out in both novels to be someone else that Ophelia settles down with once all the drama has blown over--Fortinbras in French's novel, Horatio in Klein's.
Both Ophelias have an episode or two in male drag; both are plucky, passionate, perceptive, and possessed of enviable survival skills.
French's Ophelia is an expert on cheese (is this a Danish thing?). French seems to have set herself the challenge of mentioning cheese in every chapter, sometimes to odd effect. On hearing of Polonius' death, Ophelia tells us, "My first thought was of cheese."
Klein's Ophelia (more plausibly) is an herbalist (Klein is a scholar of early modern lit). Klein's Ophelia escapes Elsinore and winds up in...a nunnery. Which is witty, I admit. The novel's Part 3, though, set in the nunnery (where Horatio finds her), gets a bit talky, a bit like a YA Magic Mountain (God, authority, nature).
Both novels had some good passages--getting Ophelia's version of the "nunnery" scene and the "play-within-the-play" scene definitely worked. Klein's is the better-written of the two.
If the mad scene is just a charade, though, and if there is no drowning, is this still the Ophelia we love? One misses the dark, doomy subtext, the black undercurrent. These are Ophelias for the Katniss era, I guess.