The first three essays are, and they are very striking, especially the first, "The Face of Seung-Hui Cho," Yang's unforgettable response to the devastating school shooting at Virginia Tech. I read this piece in n+1 when it appeared, and it its the main reason I took a chance on the book. The essay takes you inside the experience of being an American minority as only a handful of essays do, and in this case it is an American minority that has gotten only sporadic attention and even today is still largely obscured by clichés and stereotypes. "The Face of Seung-Hui Cho" leads off the volume, and the two essays that follow it in Part One, "Paper Tigers" and "Eddie Huang Against the World," are only a subtle shade less intense. As a group, they are revelatory.
That's about it, though. The final three essays in the book, which constitute Part Four, are about whiteness, Yang engaging somewhat skeptically with critical race theory but not touching much upon the issues raised in Part One. Parts Two and Three are simply general journalistic pieces. Part Two is four personality profiles (the one on Tony Judt I especially appreciated), and the three pieces in Part Three are about being an under-40 male sexual subject in the 21st century. Interesting stuff, well-reported and skillfully written, but not about the souls of yellow folk, really.
I may be missing a connection in Part Three--being a male Asian American in the 21st century may entail a certain anxiousness over one's sexual charisma, as presented in Adrian Tomine's graphic novel Shortcomings. That topic does not really come up explicitly in Part Three, though.
The Souls of Yellow Folk definitely works as an essay collection--don't get me wrong. But had the book been called The Face of Seung-Hui Cho and Other Essays I still would have purchased it, but would not have had that lingering aftertaste of disappointed expectations.
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