ANOTHER INSTALLMENT IN Ohle's rendering of the post-apocalypse novel as farce, but without the startling sentences of
Motorman, which made
The Pisstown Chaos distinctly the less enjoyable of the two, for me. Zombies ("stinkers") play a more prominent role here, and Moldenke seems sadly diminished, à la Falstaff in
Merry Wives, but the Reverend Hooker is a mad and diseased enough rogue to keep things interesting.
I skipped the second installment (The Age of Sinatra) and now feel somewhat less inclined to pick it up. I hope the syntactical gymnastics of Motorman make at least some appearance there.
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